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Принимайте перевод интервью, часть с Джошем.
огромное спасибо)))) оч интересно)))
Я проникся образом и почувствовал, что могу надрать кому-нибудь задницу.
поскорей бы посмотреть фильм )))))
Людмила 
Нет, вообще-то, я не искал возможности сняться в подобном фильме. Это фильм нашел меня. Гай пришел ко мне с грандиозными идеями, и я подумал, что он обладает достаточными возможностями, и материальными, и интеллектуальными, чтобы реализовать свои идеи. И я просто согласился на участие в фильме
а как уж мы рады что этот фильм тебя нашел 
Так что это очень круто.
поскорей бы посмотреть фильм )))))
меня уже мучит нетерпение 
мы хотели, чтобы он создавал впечатление бродячего кота, поэтому он очень текстуризированый, в серых тона
интересные ассоциации
Джош как бродячий кот...хорошо хоть не помойный))))))
жду фильму
всем огромное спасибо за перевод!
Этого интервью с режиссером Гаем Моше не было. 
Exclusive TIFF Interview: Bunraku Director Guy Moshe Makes His Crazy Labor Of Love
By Katey Rich
Published: 2010-09-23 12:38:22
Exclusive TIFF Interview: Bunraku Director Guy Moshe Makes His Crazy Labor Of Love The Toronto International Film Festival is home to screenings of many Oscar hopefuls, foreign language films too obscure to see release, and documentaries about the soul of man or whatnot. But it also hosts the fantastically intertwining Midnight Madness series, 10 nights of movies mean to thrill you, scare you, or just let you witness something totally awesome. Falling into that latter category more than any other in this year's program was Guy Moshe's Bunraku, a pop-up book of a movie about a man with no name (Josh Hartnett) wandering into a town run by a ruthless gangster (Ron Perlman) and vowing revenge.
The look of the film is some crazy combination of puppet theater, video games, comic books and Hong Kong action; the added fact that this is all taking place in a world with no guns means there's pretty much no limit to how someone can be killed, and with what instrument. I talked to Moshe the day after the film premiered and picked his brain as to why an independent, relatively unknown filmmaker would spent three and a half years putting together a film that was super complicated to make, and how he got Hartnett on board with some of the bigger action set pieces, including a single-take fight in which he takes on 20 or so bad guys.
If you want to catch Bunraku in theaters right now, it's playing at Fantastic Fest in Austin, Texas this weekend. Beyond that, the movie is still looking for distribution.
Last night's midnight screening seemed like exactly the right crowd to see this with.
I couldn't tell if it was an audience that would have wished for more gore. It's strange. I don't know if this is exactly what they were signing in for.
This is clearly such a passion project for you. There are much easier movies to make. Why did you feel like you had to make it?
Regardless of the ultimate reception of the movie, there's nothing more rewarding than trying to do something new. You might not succeed, you might fall on your face, but the attempt is what you live for. My life is waking up and making movies; it's what I do. I challenge myself as a filmmaker to try and bring something new to the table that hopefully the audience will appreciate because it's something new. If I can make that happen, if it works, phenomenal.
You say you want to make something new, but the story is the most classic story of all, the stranger coming to town.
Exactly. You could do exactly the opposite, set it in a very simple setting and then you could complicate the story a little more. I thought something in this movie needed to be simple and safe enough so the audience could grab hold. This is a very dense experience, it's an audio-visual spectacle. The story should be simple and classical enough so people can follow and understand what's going on.
You look at the action genre-- what is the action genre? You take two characters, one character, and your job is to lead them through as many obstacles as you can so they fight and shoot and beat up somebody. I'm a fan of these films. But part of my fascination was, why is this classical story so successful? We're suckers for the idea of personal responsibility, seeing a man detached from the community who seemingly doesn't have to do anything for anybody find in himself the urge to help the common man. The Man With No Name is the classical character who stands up to these people.
The one really original thing you do is set this story in a world where guns are banned, and it makes the violence even worse. Did you want the chance to use other weapons, or what?
To me martial arts films that are set up in contemporary settings are slightly ridiculous when you think about it. Guns are faster than people, and there's not much you can do about that. I also like the idea of the musical analog. Those obstacles you take your characters through are like musical numbers. The idea that violence could be as beautiful as a dance. You could do it with gunfights, you could do it with swords only.
How long did it take to choreograph that single-take staircase fight, where Josh Hartnett takes on all the bad guys on all the different levels?
Josh trained for the movie for about four months, he had so many fight sequences. He came very prepared. It was more about timing the camera. It's very difficult to shoot a scene like this, because most punches it's easier to sell from the back, and I had to shoot it from the side. Everybody had to be in the perfect place, and the camera has to be in the perfect place.
In addition to the bunraku art form and comic books you take a lot of influence from video games here. Why did you want to include that as well?
To me all of these things are coming from the same core. I think video games in their essence are simplistic, very graphic, and have a very clear visual direction to them. And I think when you look at a comic book, the way comic books are being laid out, there's a lot of playfulness. To me video games are the way of the future. There's a new medium coming. I'm as certain of it as I was certain of cell phones being invented when I was younger. At some point there will be a new medium that will join cinema and video games into one. I don't know what it's going to be , but I want to be in the forefront of it. Certainly audiences today are probably capable of processing information in different ways. That's what gave birth to cinema at the end of the day, 100 years ago.
This movie reminded me in some ways of Scott Pilgrim, and it seems like both of them are so fast-paced and dense because they assume that we can all process information now better than we could in the past?
Obviously what's similar about this and Scott Pilgrim, is probably the approach. I love Edgar Wright, I think he's a super talented director, but in Scott Pilgrim he's taking our contemporary environment and he draws it into a surreal universe, where Bunraku is set up in a world of its own creation. But both of these films are dense, and they try and engage you on multiple levels.
And both really do make you feel like we're heading somewhere different with how audiences respond to cinema.
On that level, absolutely. There are filmmakers out there like Edgar Wright, like David Fincher, any film they make, I don't care how good or bad their last one is, I will always be in line to see their next movie. Ultimately that's what I hope to be. You don't have to love everything I do, but you can bet your ass I'll give it everything I've got.
Продолжаю выуживать счастливчиков, посмотревших фильму. 
Вот ещё один такой, но в отзыве полно спойлеров, потому- прячу.
Источник : http://community.livejournal.com/gackt_ … 83854.html
Bunraku – My Impressions
I really really enjoyed this film. In many ways, it was my kind of a movie. It’s unique at many levels, and G has done a fabulous job in it. Totally worth it!Hmm… I don’t know where to start, actually, because I just have so much to say, and yet, I know that I will not be able to do justice to my impressions. Oh well, a very good place to start is always the beginning – and for us Dears, it all begins and ends with… GACKT.
Gackt was glorious. Absolutely glorious, delightful and utterly charming. His delivery of lines – both in English as well as Japanese – was clear and comprehensible, his acting was great, his fight sequences were razor sharp and smooth and he looked beautiful and very very elegant. You must have noticed, in the pictures from Bunraku that his make-up did not make him look too dolled up – rather, he looked his age. His clothes showed off his broad shoulders and slim waist, while at the same time, the high pony which bobbed up and down during fights, made him look totally kawaii.
The moment he came on the screen he took my breath away. He literally left me gasping – and I had grand plans of wolf-whistling at him, LOLOL, but my lungs did not have the requisite amount of air needed for a whistle. I really couldn’t believe that I was sitting in India, among Indians, watching G on the big screen. It’s an indescribable feeling – of joy, shock, gratitude (to whom? I dunno, LOL) and god only knows what else – all mashed together into a big lump at my throat. LOL, and my friend banluvsnat, who is also a fan of G, squealed, “umm…. I hope I don’t start nosebleeding… I can totally feel it starting!” hehe, in fact, we had great fun fangirling through the movie, and…er... kinda missed an important revelation at the end of the film about Josh’s character because we were busy discussing the important topic of the ‘mystery of GACKT’s adorably glompable eyes’ *headdesks*.
after the movie the two of us were in a kind of a happy daze. There was a little bit of unpleasantness at one point, though, when this idiot sitting behind us asked the inevitable ‘is it a guy or a girl?’ question. My friend replied with a sharp ‘he’s very much a guy’. A little later, after Yoshi’s first fight sequence, the same joker behind us said, ‘Whooooaaaaa…. That was great…. especially for a girl.” To which my friend loudly commented, “Why do we have to sit in front of dumbasses?” LOL! Anyway, we didn’t let him spoil our fun, and I dare say even he got absorbed into the movie after a while (I know coz his comments were way too loud *rolls eyes*).
Bunraku – with (probably) SPOILERSThe film’s look is unlike anything I have seen before – and I had watched Sin City, especially to ‘prepare’ myself for this film, LOL! Every shot is saturated with colours, and each set is breathtakingly beautiful. What makes it odd and unique is that while the background seems to be made of beautiful coloured paper – sometimes painted, sometimes origami-ed – including a gorgeous paper painted moon; yet, the ‘real’ props, like real sakura trees or bars and even real human beings, blended in seamlessly with the paper background. The intense colours and the un-realistic setting, stylized acting and the deliberately simplistic plot of good vs evil gives the film a graphic novel feel. In fact, at one point in the movie it does turn entirely into a graphic novel. The opening, showing why exactly the world had outlawed weapons, started with an actual bunraku-like puppet show. Also, the subtitles in the Japaneseparts were written in a comic book style, which looked really really nice.
The look of each character – as you must have already noticed – is idiosyncratic. Each character is a stereotype – GACKT’s being the biggest cliché of them all, LOLOL – the good hearted, honourable, wide eyed and somewhat gullible samurai, who hates violence yet doles out large doses of it with great panache. The role seems to have been custom made for GACKT, as he mouths dialogues which seem to be lifted directly from his blog posts xDD. Also, he acted so well… there were these peculiar moments when he was almost like a chibi cutie-pie you’d want to glomp… quite like the G in the latest Wanda coffee CMs. On the other hand, there were those deadly, majestic and dignified bits, reminiscence of Fuurin Kazan, which made one realize why Guy Moshe chased G across the seven seas after watching him in the drama. Oh and! Significantly, Gackt’s role in the film is as long and important as Josh’s so I fail to understand why he is seen as a sidekick, or why his name is sometimes missing from the cast. >_<
Amongst others, the bar tender and Killer #2 stood out. Demi Moore, on the other hand, was so unnecessary to the movie that I feel sorry for her. I didn’t get to sleep last night coz I was travelling from delhi to mumbai, but it was only during her bits(tiiiiny bits they were, LOL, poor thing) that I found myself yaaaawning...I mean, admit it, who's interested in the WOodcutter and his girlfriend's family planning discussions? xD I also strongly suspect that her part was cut short in the editing, though I have no evidence, of course. She must be pretty mad, LOL. In fact, not just Moore but each character could be fleshed out more.
The movie itself is fairly clichéd … but deliberately so. I loved the self referential humour in the film, especially of the narratorial voice, who made it clear that he knew exactly how clichéd it all was (“and in all such stories, there’s always a silent stranger *Josh Hartnett’s introduced* …or... two silent strangers *Gackt is introduced*”). The actors’ mock-serious, somewhat theatrical acting added towards making this film lean more towards a parody of an action/gangster movie/western (one hilarious bit: Yoshi arrives for a fight which Josh is already fighting. Yoshi-‘don’t you wanna know why I’m late?” Josh-“Not really.”… a parody of various action movies which use the “you’re late!” line so frequently (Eraser, Shanghai Knights, to name a few). At another time, the tinny music from Mario plays in the background as Josh systematically kills through a maze of prison guards). These provided some great comic moments too.
The movie wasn’t allll awesome, though, I’ve gotta be honest xD. There were way too many fight sequences, and while some were a treat to watch – the one with the trapeze artist and josh, or the penultimate fights of Josh and Yoshi where they meet their match, to name a few – the others made the film drag a bit, and I felt that it would have been better if more of the film had been devoted to fleshing out the characters properly. The film was full of blood and gore, but all of it done in a very chic, stylish manner. All in all, it was quite a sanitized movie. Unlike the tasteless nonsensical gore fest that I ended up watching after Bunraku…. Takeshi Kitano’s Outrage…. *pukes*. Wish I hadn’t watched it. Anyway…
The ending has hints for a sequel, but I dunno if that’s possible, considering the fact that this film took two years to make. But this is a film definitely worth checking out, and I'm really hoping that they make a sequel (Josh and Gackt are brilliant together, believe me. No its not a yaoi fangirl's biased brain speakig, they really good!).
LOL, I’m already pining for the movie, I really really wanna watch it again! xDD … I’m definitely buying the DVD when it comes out. And hey! You know, I realized that this movie has great potential for some gorgeous merchandise. Oh well….
PS - a word about Kitano's 'Outrage'. i'm not randomly pulling dow the movie. I know he's a very famous film maker ... hell, he had the Indian audience roaring and clapping and applauding through the film.
But i think is is not really his best film. this film is about a bunch of Yakuza maiming, torturing and killing each other in a variety of creative and increasingly gory ways. while the film began with some twists and turns, it soon became totally predictable - as the bodies piled up, it became obvious that everyone was going to end up dead. Also, the killings were illogical - you wouldnt expect a bunch of Yakuza (every single one of them) to be so stupidly unprotected allll the time, allowing others to come and butcher them casually. That film was just... so not happening. *shrugs**goes off to dream about Yoshi and his bouncy ponytail*.
здесь можно посмотреть фрагмент фильма Бунраку.
микроскопический
здесь можно посмотреть фрагмент фильма Бунраку.
Спасиббо!!!! Джош с сигареткой очень и очень! 
А в первых кадрах Джош на себя не похож. 
Удача, а как тебе Джош в бою? Сначала мне все показалось пародией на бой, но последний его удар был убедителен. 
А вот картонные фигурки меня смутили. К чему они? 
Лихо закрутили...
Удача, а как тебе Джош в бою? Сначала мне все показалось пародией на бой, но последний его удар был убедителен.
мне очень нравится
технику ему придумали пьяного монаха))) но Джош двигается очень технично.
недавно пересмотрела Черную орхидею, его бокс тоже весьма не плох. больше похож на спорт, чем бои Кличка старшего)))
а картонные фигуры - об этом же все пишут, что похоже на театральную постановку и на кукольный мульт
писали что этого слишком много, а живых песронажей мало. но подождем.
судить пока не по чем
удача! спасибо))))
Джош с сигареткой очень и очень!
согласна)))
технику ему придумали пьяного монаха))) но Джош двигается очень технично.недавно пересмотрела Черную орхидею, его бокс тоже весьма не плох.
....не на котах же тренировался...
....перед "охидеей" пoлгода на ринге провел,не забываем и "Чемпиона"...
... к" Бунраку" он подошел уже со спортивной практuкой....
....есть у Джоша фишка в движениях—не знаю,может кто еще заметиl—рваные движения...
...хорошо видно в клипе Удачи "All the right moves"....
...в Орхидее—втрой клип Удачи—шляпу со стола берет...уличная драка...
...чувство,как перепутал вдох—выдох на ударе....но мне лично оч нравится....
технику ему придумали пьяного монаха)))
..шервудского разе,буддиские не того...
...посмореть хочется—ждачки не хватает....
Рецензия короткая, но емкая. И очень позитивная. 
Bunraku
After premiering at the Toronto International Film Festival, Guy Moshe’s super stylistic Bunraku made it to Austin’s Fantastic Fest. Expecting something of a typical slasher flick, I was not looking forward to this film about a dystopian world where swords are used in place of guns. However, I left the theater a Guy Moshe fan interested in the style he brought to life over years of imagination. Between the narrator and the illustrations, Bunraku calls to mind the likes of Sin City and other graphic novel-to-movie translations, but the genius here is that Moshe wrote his own story and titled it after a style of Japanese puppet theater.
A dark and appropriate tone sets the scenery of the movie as an unnamed drifter (Hartnett) wanders into a town run by the Woodcutter Nicola (Ron Pearlman) and his band of killers. Smooth and ruthless, these killers- numbered 1 through 9 and dressed in red, showcase much of the film’s action in their dance-like fight scenes. The Drifter finds himself in the town’s bar seeking information from the wise and helpful bartender (Harrleson) before crossing paths with another foreigner , Yoshi (Gackt), also looking to defeat Nicola for his own reason. The two debate joining forces to bring down the tyrant, but what they do not realize is that they will have to face Nicola’s entire band of killers before ever reaching their nemesis, and the odds are against them.
The soundtrack carries the story from scene to scene as if we were watching a video game being played out, and the paper cut-outs on strings make the transitions between events, continuing to pay tribute to Goshe’s inspiration. Amidst all of this, Josh Harnett and Japanese pop star Geckt each take on the role of good guy looking for a fight, and they do so believably – despite the fact that the pop star looks a bit feminine. Kevin McKidd serves brilliantly as the number two killer, very different than what we see weekly from him on ‘Grey’s Anatomy’, and the bartender role seems to have been written specifically for Woody Harrelson. The impressive style combined with impressive performances from all the leads makes for the best surprise of the festival. Don’t miss this unique piece of stylistic cinema.
Danielle Bartz
Источник
Удача, спасибо за фрегмент! Истосковались мы совсем по новым работам Джошика((((( ну что за безобразие в конце концов? когда же и нам удастЦа посмотреть Бунраку??? меня всё время напрягает это быстрое движение камеры по крышам города, как-то слишком мультяШно.... понимаю, что это фишка фильма.... надеюсь, что при просмотре всего фильма это пройдет....
когда же и нам удастЦа посмотреть Бунраку???
Фильм уже на трех фестивалях побывал, только до проката дело никак не дойдет. 
Chris Farmer на своем сайте добавил новые стиллы из фильма, необычно- необыкновенные. 
На остальные любуйтесь здесь: Bunraku-main
И отзывы на "Бунраку" от тех, кто увидел фильм на фестивале в Торонто :
A mysterious drifter (Josh Hartnett) and an ardent young Japanese warrior Yoshi (Gackt) both arrive in a town that is terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil "woodcutter" and his lady Alexandra (Demi Moore), a femme fatale with a secret past. This classic tale is re-vitalized and re-imagined in an entirely fresh visual context, set in a unique world that mixes skewed reality with shadow-play fantasy, a place where even the landscape can betray you.
Toronto Film Festival Reviews.
Screendaily.com
Working with archetypal characters and grand themes such as revenge and the nature of evil, Moshe (who previously directed the low-budget indie Holly) wants Bunraku to have a mythic, almost timeless quality in its storytelling. At the same time, he, cinematographer Juan Ruiz Anchia, and production designer Chris Farmer have dreamed up a world that feels cutting-edge with its colourful and noir-ish comic-book sets, not to mention the occasional incorporation of animation and even dance choreography into the overall aesthetic. As a result, Bunraku is a film that feels both fable-like and contemporary, placing commonplace characters into a rambunctiously ambitious visual creation.
Toronto Film Scene
Bunraku feels like a movie that a lot of filmmakers have been trying to make for a very, very long time. What makes the film work, where others have failed, is that it takes a very simple premise – seeking revenge on the guy at the top – and filters that through very complex, diverse and beautiful art forms on top of intricate and exciting fight sequences.
Amongst Bunraku’s early buzz from the filmmakers and programmers, much has been made of the film’s “pop-up-book” aesthetic. But on an artistic level, and certainly an art direction level, the film goes way beyond just that one gimmick. It adeptly borrows from and pays homage to artistic styles ranging from comic book panels and scale modeling to early Soviet animation, without being beholden to any one in particular.
The Torontoist
Beyond brilliant genre conceits and a talented cast, the true goldmine of the film is its visual style. Moshe somehow finds a way to mix hyper-realism (à la Zack Snyder) with a minimalistic set design in which nearly everything seems to be constructed of folded paper. Even the backdrops are two-dimensional expanses, as in the puppet shows for which the film is named. With everything sifted through a sumptuous colour palette and framed with sweeping pans and clever transitions, the whole experience is pure, unadulterated fun.
The Film Stage
Bunraku is set in a dystopian future where guns are banned and the blade is the weapon of choice. The stylized world, with scenery made of folding paper and lighting that adjusts to moods, is unlike anything ever put to celluloid. Early comparisons to Robert Rodriguez‘s Sin City, are just plain inaccurate. No movie has ever looked like this.
Collider.com
In an amalgam of samurai film, spaghetti western and chop socky – and using a stylish blend of neo-noir, German expressionism and Russian futurism – director Guy Moshe’s debut feature Bunraku is nothing short of ambitious. Characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set.Completely unique while drawing upon a myriad of classical influences, Bunraku emerges as a visually stunning and adrenaline pumping blend of flavours old and new, east and west.
The Film Buff blog
The words "stunning", "spellbinding", and "revelation" are all terms that anyone who is critiquing a film should shun away from. However, in the case of Guy Moshe's Bunraku there are no more fitting words to describe this gem of a film.The art design of the film is, yes... here goes, "stunning" to say the least. The entire film is one giant feast for the eyes, a myriad of colours and practical magic effects that transports you into this fantastic world. The action and fight sequences are heavily influenced by Broadway musicals and are both beautifully choreographed and brutal.
The Hollywood Reporter
Guy Moshe's “Bunraku” is like a sumptuous banquet in which every course is dessert -- in other words, too much of a good thing. Intriguing in its design and eye-popping with its fight choreography, this cartoonish film aspires to Hong Kong martial arts by way of spaghetti westerns, video games and samurai films. Moshe, who wrote and directed, creates a boldly expressionistic alternate reality to background this heavy-on-the-action story.
только до проката дело никак не дойдет.
Фильм "Бунраку" представят в ещё одной фестивальной программе.
Кинофестиваль в Дубаи проводится в седьмой раз и в этом году в программу включили фильмы ужасов. Фильм "Бунраку" будет представлен именно в этом сегменте. Фестиваль пройдет с 16 по 18 декабря 2010г.
Spine-tingling horror, thrillers added to DIFF 2010 with new ‘Midnight Mayhem’ segment
Dubai, UAE; December 1, 2010: The seventh edition of the Dubai International Film Festival (DIFF) 2010 is introducing a brand new genre to its programming with a ‘Midnight Mayhem’ segment that will thrill lovers of horror and spine-tingling films.
From twisted tales of the mind, ghosts of unforgivable pasts, and stories about the effect of fear on the state of one’s mind, the ‘Midnight Mayhem’ movies will be screened every day from Dec. 16 to 18 at Mall of the Emirates Cinema 2. The screenings, including an international and Middle East premiere, start at 11.59 PM, with additional screening on separate days.
Sheila Whitaker, Director of DIFF’s International Programming, said: “For the first time, DIFF is introducing a new genre to its programming. The selection of horror films and the special timings in Midnight Mayhem is sure to appeal to UAE lovers of suspense, mystery and thrillers. The films, drawn from across the world, also offer the opportunity to see how filmmakers from different parts of the world approach this hugely popular genre.”
Guy Moshe’s Bunraku¸ starring Josh Hartnett, Woody Harrelson, and Demi Moore, makes its Middle East premiere at DIFF on Dec. 16. The martial arts-live action/animation hybrid is a wild, futuristic tale of obsessive revenge, set in a dazzlingly-rendered future world ruled by the sword and combines Western and samurai, Japanese puppet theatre and killer clowns.
И , о том же
Scary times for Dubai film festival attendees
фильмы ужасов. Фильм "Бунраку" будет представлен именно в этом сегменте.
ужооооссссоооов?
издрассссььььттттттеееее))))))
ужооооссссоооов?
издрассссььььттттттеееее))))))
Вот и я о том же. "horror and spine-tingling films" - для любителей ужасов и берущих за живое фильмов 
И в синопсисе : Клоуны убийцы, маниакальная месть...
Кинофестиваль в Дубаи проводится в седьмой раз и в этом году в программу включили фильмы ужасов. Фильм "Бунраку" будет представлен именно в этом сегменте
......ой.......так мы ёще могём поучаствовать на фесте мультиков—имеем право......
поучаствовать на фесте мультиков—имеем право
и ещё на фестивале аниме...в сегменте хентай простите...
а что?
ведь очень сексуальные парни на экране...
ведь очень сексуальные парни на экране...
.....первый приз—гарант.....победаааааааа!!!!!!!!!!!!!!!!!!!!!!
Фестиваль в Дубаи прошел тихо и незаметно для нашего Форума и для всех поклонников Джоша Хартнетта. Приношу вам отзыв на фильм "Бунраку" с фестиваля:
23/12/2010
Bunraku in Dubai Film Festival
Новые фотографии со съёмок "Бунраку"
Источник
Как же ему идут жилеты.... ммм...
Новые фотографии со съёмок "Бунраку"
...ну и шрамищщще на шее....художники......
....хаачу фильму...... 
Как же ему идут жилеты.... ммм...
Эму все идет))) *подлецу все к лицу)))*
.ну и шрамищщще на шее....художники......
Худющий он на этих фотках, а шрам фломастером нарисован)) 
и ещё одна фотка со съёмок
И привалило нам счастье -
CG set extension for the upcoming film, Bunraku, starring Josh Hartnett, Woody Harrelson, Demi Moore, and Ron Perlman.
Отредактировано Verte (2011-01-20 23:52:27)
вау! спасибо:) и все-таки усы ему зря прилепили:)
и все-таки усы ему зря прилепили:)
И все-таки я не одна))) Какой-то он не такой с ними...
И привалило нам счастье
я не могу открыть видео. пишут что приватное, по другой ссылке, что удалено правообладателями.
может быть кто-то успел скачать.?..
поделитесь
я не могу открыть видео.
ну кто бы мог подумать! 2 часа назад я его смотрела, подумала скачаю позже, а теперь тоже не открывается! 
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