добро пожаловать на форум.

для того чтобы ответить на ваш вопрос нам пришлось приподняться над собой и своими устоявшимися вкусами
для того чтобы понять замысел режиссера нам пришлось немного поработать над своим внутренним миром
а для того чтобы принять Джоша Хартнетта в этой роли нам пришлось признать в нем серьёзного драматического актера с глубоким внутренним содержанием.

спасибо за добрые слова! моих роликов на ютубе аж 45)))
вы какой имели ввиду?

MARgot_

отличная ава. Джош в белой рубашечке с галстуком - мой любимый типаж)))))

мир тесен))) и Джош у нас один
так что все дороги ведут сюда

наверное, этот фильм слишком сложен для моего понимания. Да и смотрела я его одним глазом - слишком много крови и жестких сцен, наверное, так и глубокий смысл проглядела:)

...не нада—я уже реву...
     
....нашего Джоша там полюбили...

MARgot_
Приветствую в наших рядах! 
Как ты уже поняла, мы этот фильм жутким не считаем, да это и невозможно, после стольких просмотров))). А после нашего многостраничного обсуждения каждый кадр фильма, каждый жест, звук, даже цвет, заполнен смыслом по самое нимагу))).
Так что, у тебя все впереди, уверена)))

А Джош, как всегда, сумел нас удивить. И порадовать своей игрой. И насладить глаз)))

 
А мне фильм более чем понравился... 

а я так и поняла)))))) наоброт поддержала

Фильм "Я прихожу с дождем" добрался до Лондона, премьера состоится 25 марта 2010г., правда в покажут  его в ограниченном количестве кинотеатров.
Paul Martin, кинокритик, обсуждал фильм на пресс- скрининге и написал свой отзыв о фильме, в котором о Джоше Хартнетте говорится достаточно много. Приношу отзыв целиком.   

Если будет время и желание, Verte, дорогая, переведи нам про Джоша, пожалуйста!

I Come With the Rain
Even a serial killer, a miracle worker and a transnational manhunt can't stop this Josh Hartnett outing from turning into a real snooze. Paul Martin unzips, unholsters, and prepares to rain on the Hartnett parade.

As late arrivals go, this one is just as about as tardy as that absent airline passenger who keeps you all waiting on the tarmac; half simmering with rage at the delay, half filling your pants full of your brown stuff at the thought their reluctance to board might be due to a couple of kilos of C4 stashed in their already-loaded luggage. Having lensed in 2008, I Come With the Rain was released in certain territories the year after, but is only now finally surfacing in a limited number of UK cinemas, a fortnight after director Tran Anh Hung's newer Norwegian Wood opens in the picture-houses of these windswept isles (incidentally, I caught Norwegian Wood at Venice last autumn and liked it very much. Read the review here).

An unconventional stab at a modern noir tale, I detected echoes of Michael Chabon's brilliant 2007 book, The Yiddish Policeman's Union, in the set-up of I Come With the Rain (not a great title, it seems fair to say. At the press screening I attended, my fellow hacks were getting in all kinds of muddles over it. The most frequent corruption seemed to be I Come Like the Rain. What, heavier and more frequently in coastal regions?). Here, as in Chabon's novel, the central protagonist is a beleaguered detective – in this case, Josh Hartnett's Kline – and in both the focus of the 'tec is the estranged, messianic son of a hugely powerful father. In Rain, that son is Shitao (Takuya Kimura), the missing heir to a heard-but-not-seen pharmaceuticals tycoon.

However while Tran, like Chabon, proves capable of cooking up an enticing basic scenario - Kline being hired by the billionaire dad to track down Shitao, who despite having been rumoured as murdered in the Philippines jungle is apparently alive and kicking somewhere around the steel and concrete jungle of Hong Kong – the Vietnamese filmmaker fails to match the American author in terms of maintaining the interest levels through to the finale. Sure, the visuals of I Come With the Rain (crafted in conjunction with veteran cinematographer Juan Ruiz Anchía) might periodically equal those glimpsed in Norwegian Wood and Tran's earlier Cyclo. Such tantalising phrases of visual poetry though, when they do occur, are not enough to rescue a narrative that becomes more and more fanciful and alienating as it winds on.
Part of the problem on both of those counts is Tran's American leading man. It has become fashionable and acceptable in recent years to deride Hartnett as a blank-faced dullard, most probably on account of his participation in such soggy fare as 40 Days and 40 Nights and Pearl Harbor, but in fairness his turn as a noir gumshoe here is not entirely without precedent. He previously did some sleuthing in The Black Dahlia, Brian De Palma's disappointing adaptation of James Ellroy's book, and he also briefly showed up as a cold-blooded killer in Robert Rodriguez and Frank Miller's Sin City.

Yet if Hartnett being cast as a private dick was not necessarily a recipe for disaster, his casting as this private dick proves to be just that. Kline is a man who rose to great enough prominence as an LAPD investigator that he was a leading figure in the hunt for notorious serial killer, Hasford (Elias Koteas), hardly a responsibility to entrust to someone light on experience. And with Kline's encounter with Hasford (glimpsed in flashback fragments throughout the film) leaving him psychologically shaken enough that he quits the force, he spends the two years separating that grisly incident and his hiring to find Shitao working as a P.I.

All of which proves an overwhelming back-story for a screen presence who could probably still just about pass himself as a high schooler. Hartnett might sprout a little bum fluff 'tache and chin beard after his character's showdown with Hasford, but he is just too fresh-faced and boyish to convince, with his angst coming over as much of the “Why won't she go to the prom with me?” variety as it does a fundamental reassessment of life's meaning following a too-close brush with a psychotic. Koteas would surely have been better cast as the fatigued detective, but though he is adequately creepy as Hasford, a homicidal loon to twin with his Shutter Island turn, the character himself is actually pretty farcical.
Hasford, you see, uses his victims' corpses to make installation art (yeah, him and Damien Hirst), with the 'exhibition' he treats Kline to being a corporeal mirror of Francis Bacon's Three Figures at the Base of a Crucifixion. Weird, nasty and not very probable, he proves to be another one of these urbane, hyper-intelligent Hannibal Lector movie murderers, who have as much relevance to their real-life counterparts as Pamela Anderson's fun-bags do to the average lifeguard. In fact, Koteas's nutjob feels very much cut from the same cloth as 'The Deconstructionist', the idiotically-conceived psycho Charlie Kaufman sarcastically suggests his brother Donald include in his by-numbers serial killer script, The 3, in Spike Jonze's Adaptation.

The allusion to the above-mentioned Bacon work is certainly not accidental, as I Come With the Rain is a movie that wears its religious symbolism like an Ichthys bumper sticker. Just how unsubtle are we talking? Well, Shitao, 'the son', rising from the dead is one thing, and his status as a miraculous healer of humble means can also be assimilated without too Herculean an effort. But when the same character shows up at the police station bleeding from a stigmata-type wound, causing the attending officer to loudly exclaim “Christ!”, it feels a bit like you are being smacked round the head with an iron while someone yells “Look! He's like Jesus!” six inches away from your ear canal.

And by the time Shitao has been nailed to a piece of wood, while Kline loudly exclaims“Your FATHER who art in heaven sent me to bring you home!” (this is only a slight exaggeration), you'd be forgiven for thinking the distance of those yells has shrunk from six inches to six millimetres, and that the bludgeoning iron has transformed into a blacksmith's anvil. Clang!
Rating on a scale of 5 crosses carved from wooden Josh Hartnett: 2

Источник

Спасибо))) А что не гуд...так нам не привыкать    и не таких критиков видали      Разве мы будем меньше Джоша любить от этого? 

критика -в  топку! пусть не крошит батон на нашего мальчика   много он понимает в мужской сексуальности

  Всегда пожалуйста...

Да Джоша то он, можно еще сказать пожалел. По бедному режиссеру, он там прошелся по круче)))

  Не знай.. Я на мнение критиков, обычно в самое последнее время обращаю внимание.  Так и тут наверно будет - поклонники Джоша все равно пойдут. А плевать им, что там какой-то мужик с кучей комплексов сказал))

Твоя правда)))   

"Я прихожу с дождем" 1 апреля в Австралии на DVD: 

I COME WITH THE RAIN: DVD RELEASE ANNOUNCED FOR AUSTRALIA

I Come with the Rain will be released on DVD in Australia on April 1, 2011 by local distributor Pinnacle Films. Hailing from acclaimed French-Vietnamese director Ahn Hyun Tran, the film is a neo-noir thriller that brings together top stars from America (Josh Hartnett) and Asia (Lee Byung Hun, Takuya Kimura).

Источник

с одной стороны болеть не самое приятное ощущение)))) однако пока все работают, а ты дома от нечего делать сидишь в инете.... ну прям мечта... так вот, нарыла фотку, решила поделиться)))